WFRP on Storium: The Storium So Far

A few people have asked for the rundown on the WFRP campaign I’m playing in, and also my thoughts on Storium as a system, so here’s both, in that order.

The title of our adventures is “A Mark On the Empire”, and our initial pitch would be us coming together to ferment rebellion against the Powers That Be, in our home town and elsewhere. Our brave protagonists are:

Violet, kicked out of the Roadwardens for being too relentlessly upbeat
Kannter, House of Cards Francis Underwood crossed with a Mummerset pigfarmer (me)
Wilhelm, ex-soldier with a dark past and grim demeanour
Faragast, paranoid prognosticating Wizard who cannot tell a lie

Violet, Wilhelm and Faragast are all relative strangers to our town of Schoppendorf but no strangers to rebellion and a sense that the Powers that Be shouldn’t. Getting a tip off about a secret society dedicated to ousting the Emperor and his fellow travellers, we met at a farm one morning only to find a dead man and an assassin waiting for us. Killing the assassin in cold blood to cover our tracks let the conspirators believe we hadn’t killed the corpse of their members so they told us their plan: infiltrate a nearby Nurgle cult to steal talismans that spread disease, then use them to poison the highest of the high during an Imperial retreat. We had little choice but to accept and take up rooms the society provided at the inn. Unfortunately we were rumbled there by our local Witchhunter and had to kill him too, then hide the body. Without doing anything revolutionary at all we were up to our necks in it.

The plan was sound but we quickly realized things were far worse in Schoppendorf than just being run by bastard guildsmen who took all the money: there was a cult of Bauseele that had sprung up and was making everyone super-healthy, due no doubt to their being a front for the Nurglites in the forest. But that was also our way in: by pretending to be innocent Boesee cultists from the next town over we could find their contacts with Nurgle. Meeting the head cultist, Tim Berr and some of his young acolytes Andric and Tamla, we went the latter two into the forest to scatter the ashes (Bauseele worships wood and fire, life and death symbolized, we burn wood then we scatter the ashes). There the two young-uns were greeted joyfully by a cellar full of maniacs: Nurgle cultists raging with disease and having the most disturbing birthday party ever. After a hearty game of Pass The Balloon of Diseased-Pus they ripped off Tamla’s skin and applied some hideous goo which caused her to start screaming and sicken. We decided to leave and lock the cultists’ hideout behind us, hoping to come back later with reinforcements. Unfortuntely when we got back to town Witch Hunter Captain Slovane was setting up camp and arresting everyone and we knew we were likely to be burned or hanged by association.

We took cover in the house of one of Vi’s ex-lovers, who wasn’t impressed despite his awesome hat and our adorable piglet companion, but when Tamla worsened we had Andric take her straight to the Sisters of Shallya and went back to Kannter’s to plan. But before we could do much of that the guard was heard in the streets painting doors with plague signs and shutting down the city. We hid in a pigpen until dawn then scampered back to the Sisters only to find Tamla dead and Andric heartbroken. The Sisters thought us suspect so decided to boil us alive as a test of our fervour but around 80 degrees we convinced them we were legit. Finally having the assistance of a group that doesn’t want to murder us (for now) we were granted access to the library to research our enemy…..

As for Storium: I like it. It’s not the second coming but it makes a lot of things easier for online gaming. Since you can ignore the system entirely, I would never play-by-post without it, because it helps you organize EVERYTHING. The only problem is, as its set up, it’s weirdly blurring the role of GM and game designer compared to traditional games. Basically you tend to get rules and world and even adventure-skeleton in one inseparable bundle, so you can’t use like the Warhammer world to do your story the way you can in traditional RPGs. I’m not sure what that does to gaming, but it’s interesting, and I’m interested to see where it goes now the KS is over and they can develop it from beta.

It also has some issue with the formality of it – it’s harder to chat casually in character – but that’s an artifact of all play-by-post, I think. I have some personal issues with the system, but that’s just taste, so I won’t get into them here.


Gaming And Its Future

There is no greater stroke for the ego than an interview. A lovely PhD student from France found my website and sent me some EXCELLENT questions about roleplaying, designing and the industry. Questions I really had to go away and think about. It’ll be great to see what her dissertation becomes but until then here are my answers.

How would you define your work? Do you define yourself as a writer, a game designer, a developer?

It’s a curious mix of all those things. I describe myself as a writer and a game designer. I think in writing RPGs I am thinking like a game designer but in a very specific way that only applies to RPGs.

In your opinion, what can you do with RPGs you cannot do with any other media?

One thing that RPGs do is they really let you get very close to the rules of settings and narratives. Even if you don’t notice them, there are rules in these games that determine the reality of the world you inhabit and the stories that emerge from that, and they are much more present than they are in video games or board games where more abstract rules hold sway.

When you work on a RPG, like Warhammer or Doctor Who, what is your main inspiration? A specific background, the kind of characters players can play, the type of scenarios you can imagine in this universe?

My main inspiration is the players reading the book or using the rules, I try to always focus on communicating to them what’s interesting or cool or scary or amazing about whatever I am writing. In a sense I am a salesman, and I am selling them the world, the character and the scenarios, and I want to make that sale.

How would you define a game system, its purpose, its function, its role?

A game system exists for a lot of reasons. It makes explicit certain social roles and assumptions, it exists as a toy to play with and explore, as a puzzle to unlock, as an inspiration and guide to creative flights of fancy.

How would you define roleplay?

Roleplay involves engaging with a fictitious reality as a participant of that reality.

In your opinion, what are the best RPG(s), in substance and in form? Why?

Hard to pick a few, there are so many excellent ones. Also there are so many genres and tastes, there is the best game for a person but many many best games. I do think the Buffy RPG is extremely close to perfection in every aspect, though.

What are your favorite game systems? Why?

What are your favorite campaigns? Why?

What are your favorite backgrounds? Why?

I don’t really split these up, I think the games are a combination of these things. Rules implement backgrounds and campaigns implement both. Warhammer and Buffy have always had all three working together, and are two of my favourites.

What do you think of the distinction between story games and RPGs?

I think it might be a better name for explaining that not all things under that banner require a total “immersion” into character, and to be a more inclusive term of a whole variety of activities that are part of the same concept. And it wouldn’t sound like the psychological term of roleplaying, which is different. But I don’t think they are two different things, I think we should think of the term as an evolution, not a separation.

What do you think of the RPGs market today?

I think crowdfunding has totally changed the RPG market although it was also in flux for other reasons; the growth of PDFs and PDF-theft hurt the bottom line a lot before crowdfunding came along to help shore that up. I think every time the market has changed, RPGs have changed as well: for example when indie games sprang up as a response to direct marketing through the internet, and I think we’re beginning to see RPGs changing to suit crowdfunding. Part of that is I think we’ll see games being more portable (to other systems) and expandable (to new worlds) because those make good stretch goals.

How do you see the future of RPGs, in substance and in form, economically speaking? (new funding plans like crowdfunding, distribution, Internet, magazines, conventions, etc.)

I mentioned crowdfunding above because I think that’s already here in the present. I think there’s this great hunger to unlock ways to synthesize technology but I’m not sure anyone’s cracked it yet. We have tablet/pad tools to use at the game table, and ways to synthesize as much of the tabletop online, or on the pad, and ways to combine traditional system stuff with the huge field of online roleplaying which we’ve never touched before (the thing where people do shared, in-character fan-fic, basically, that grew up independently of our hobby) – is one example of that last kind. It feels to me like everyone is coming at this idea from all sorts of directions – another one is making video games more story based and more focused on story than shooting things – and what’s going to happen in the next ten years are all sorts of new pinpoints on a graph in this intersection of ideas. Which pinpoints will coalesce into a future is impossible to tell and that’s a good thing, because what’s interesting right now is all the awesome new pinpoints we will get.